Concert review of the Isidore String Quartet playing Haydn, Childs, and Beethoven. Published in the Boston Classical Review, 28 March 2024.

Concert review of Bruce Liu playing Rameau, Chopin, Ravel, and Liszt. Published in the Boston Classical Review, 24 March 2024.

Concert review of the Handel & Haydn Society playing Beethoven. Published in the Boston Classical Review, 16 March 2024.

Concert review of the Boston Symphony Orchestra playing Ravel, Langer, Dvorak, and Janacek. Published in the Boston Classical Review, 15 March 2024.

Concert review of the Boston Symphony Chamber Players playing Nielsen, Andriessen, Thorvaldsdottir, and Schubert. Published in the Boston Classical Review, 11 March 2024.

Concert review of the Boston Symphony Orchestra playing Grieg. Published in the Boston Classical Review, 8 March 2024.

Concert review of Boston Lyric Opera’s Eurydice. Published in the Boston Classical Review, 2 March 2024.

Concert review of Alexander Crosett playing Frank, King, Barber, Suesse, Childs, Tanaka, and Hersch. Published in the Boston Classical Review, 1 March 2024.

Concert review of Takács Quartet playing Haydn, Ngwenyama, and Beethoven. Published in the Boston Classical Review, 19 February 2024.

Concert review of the Boston Symphony Orchestra playing Rachmaninoff and Chausson. Published in the Boston Classical Review, 16 February 2024.

Concert review of Víkingur Ólafsson playing Bach. Published in the Boston Classical Review, 11 February 2024.

Concert review of the Boston Symphony Orchestra playing Haydn and Bartók. Published in the Boston Classical Review, 9 February 2024.

Concert review of Voice of Nature: The Anthropocene. Published in the Boston Classical Review, 5 February 2024.

Concert review of the Boston Symphony Orchestra playing Smyth, Bruch, and Mendelssohn. Published in the Boston Classical Review, 4 February 2024.

Concert review of the Boston Symphony Orchestra playing Shostakovich. Published in the Boston Classical Review, 26 January 2024.

Concert review of Hélène Grimaud playing Beethoven, Brahms, and Bach/Busoni. Published in the Boston Classical Review, 21 January 2024.

Concert review of the Boston Symphony Orchestra playing León, Ravel, and Stravinsky. Published in the Boston Classical Review, 12 January 2024.

Feature: Top 10 Performances of 2023. Published in the Boston Classical Review, 19 December 2023.

Concert review of Blue Heron’s Medieval English Christmas. Published in the Boston Classical Review, 16 December 2023.

Concert review of Boston Cecilia’s Bach Illuminated. Published in the Boston Classical Review, 12 December 2023.

Concert review of the New England Philharmonic playing Mozart, Sibelius, and Kuspa. Published in the Boston Classical Review, 11 December 2023.

Concert review of Jeremy Denk in recital. Published in the Boston Classical Review, 10 December 2023.

Concert review of the Handel & Haydn Society playing Handel. Published in the Boston Classical Review, 25 November 2023.

Concert review of the Boston Symphony Orchestra playing Liszt, Ligeti, Stravinsky, and Adès. Published in the Boston Classical Review, 17 November 2023.

Concert review of “Ligeti 100 Celebration” concert #2. Published in the Boston Classical Review, 14 November 2023.

Concert review of Sir András Schiff playing Bach, Mendelssohn, Schumann, Beethoven, and Mozart. Published in the Boston Classical Review, 11 November 2023.

Concert review of the Boston Symphony Orchestra playing Lieberson, Berg, and Schumann. Published in the Boston Classical Review, 10 November 2023.

Concert review of the Boston Symphony Orchestra playing Kodály, Tchaikovsky, and Schubert. Published in the Boston Classical Review, 3 November 2023.

Concert review of the Boston Symphony Orchestra playing Kendall and Beethoven. Published in the Boston Classical Review, 20 October 2023.

Concert review of Isata Kanneh-Mason playing Haydn, Fanny Mendelssohn, Schumann, and Chopin. Published in the Boston Classical Review, 14 October 2023.

Concert review of the Boston Symphony Orchestra playing Haydn, Shostakovich, and Habibi. Published in the Boston Classical Review, 13 October 2023.

Concert review of the Handel & Haydn Society playing Handel. Published in the Boston Classical Review, 7 October 2023.

Concert review of the Boston Symphony Orchestra playing Beethoven, Mozart, Maskats, and Strauss. Published in the Boston Classical Review, 6 October 2023.

Concert review of White Snake Projects’ Monkey, A Kung Fu Puppet Parable. Published in the Boston Classical Review, 23 September 2023.

Concert review of Boston Lyric Opera’s Madama Butterfly. Published in the Boston Classical Review, 15 September 2023.

Feature: 2023-24 Critics Picks. Published in the Boston Classical Review, 5 September 2023.

Concert review of Pro Arte Chamber Orchestra playing Bartók, Bunch, Biber, Price, and Wiancko. Published in the Boston Classical Review, 22 May 2023.

Concert review of Seraphim Singers’ 25th Anniversary Gala Concert. Published in the Boston Classical Review, 14 May 2023.

Concert review of the Aizuri Quartet playing Clara Schumann, Bartók, Tagaq, and Haydn. Published in the Boston Classical Review, 6 May 2023.

Concert review of the Boston Symphony playing Britten and Shostakovich. Published in the Boston Classical Review, 5 May 2023.

Concert review of Osvaldo Golijov’s Falling Out of Time. Published in the Boston Classical Review, 1 May 2023.

Concert review of Davóne Tines in recital. Published in the Boston Classical Review, 27 April 2023.

Concert review of Boston Baroque’s Iphigénie en Tauride. Published in the Boston Classical Review, 24 April 2023.

Concert review of the Doric String Quartet and Benjamin Grosvenor playing Beethoven, Haydn, and Bridge. Published in the Boston Classical Review, 23 April 2023.

Concert review of the Boston Philharmonic Orchestra playing Schubert and Mahler. Published in the Boston Classical Review, 15 April 2023.

Concert review of Joshua Bell and Daniil Trifonov playing Beethoven, Prokofiev, Bloch, and Franck. Published in the Boston Classical Review, 5 April 2023.

Concert review of the Handel & Haydn Society playing Bononcini and Bach. Published in the Boston Classical Review, 3 April 2023.

Concert review of Boston Lyric Opera’s Bluebeard’s Castle and Four Songs. Published in the Boston Classical Review, 25 March 2023.

Concert review of the Boston Symphony playing Stravinsky and Adès. Published in the Boston Classical Review, 24 March 2023.

Concert review of the Boston Artists Ensemble playing Beethoven and Shostakovich. Published in the Boston Classical Review, 13 March 2023.

Concert review of the Boston Philharmonic Youth Orchestra playing Bartók and Tchaikovsky. Published in the Boston Classical Review, 11 March 2023.

Concert review of the Boston Symphony playing Coleridge-Taylor, Still, and Caine. Published in the Boston Classical Review, 6 March 2023.

Concert review of Igor Levit playing Beethoven. Published in the Boston Classical Review, 5 March 2023.

Concert review of Odyssey Opera’s Awakenings. Published in the Boston Classical Review, 26 February 2023.

Concert review of the Boston Philharmonic playing Beethoven. Published in the Boston Classical Review, 25 February 2023.

Feature: Benjamin Zander on Beethoven’s Ninth. Published in the Boston Classical Review, 21 February 2023.

Concert review of the Boston Symphony playing Prokofiev, Saint-Saëns, and Rachmaninoff. Published in the Boston Classical Review, 17 February 2023.

Concert review of the Boston Symphony playing Simon, Bloch, and Beethoven. Published in the Boston Classical Review, 10 February 2023.

Concert review of the Boston Symphony playing Wagner. Published in the Boston Classical Review, 3 February 2023.

Concert review of the Danish String Quartet playing Haydn, Shostakovich, Britten, and Nordic folk music. Published in the Boston Classical Review, 28 January 2023.

Concert review of the Boston Symphony playing Mackey, Shostakovich, and Brahms. Published in the Boston Classical Review, 27 January 2023.

Concert review of the Emerson String Quartet playing Bartók, Walker, Shostakovich, and Beethoven. Published in the Boston Classical Review, 23 January 2023.

Concert review of the Boston Symphony playing Dvorak, Szymanowski, and Lutoslawski. Published in the Boston Classical Review, 20 January 2023.

Concert review of the Boston Symphony playing Lili Boulanger, Wilhelm Stenhammar, Justin Dello Joio, and Dvorak. Published in the Boston Classical Review, 13 January 2023.

Concert review of the Boston Symphony performing Tchaikovsky, Milch-Sheriff, and Beethoven. Published in the Boston Classical Review, 6 January 2023.

Feature: Top 10 Performances of 2022. Published in the Boston Classical Review, 19 December 2022.

Concert review of the Handel & Haydn Society playing Vierdanck, Bach, Zelenka, and Handel. Published in the Boston Classical Review, 16 December 2022.

Concert review of Seong-Jin Cho playing Handel, Brahms, and Schumann. Published in the Boston Classical Review, 12 December 2022.

Concert review of the Junction Trio playing Amy Williams, Ravel, Thomas Morely, and Schumann. Published in the Boston Classical Review, 11 December 2022.

Concert review of Martin Helmchen playing Bach. Published in the Boston Classical Review, 7 December 2022.

Concert review of Boston Cecilia’s Evensong. Published in the Boston Classical Review, 3 December 2022.

Concert review of the Boston Philharmonic Youth Orchestra playing Beethoven and Strauss. Published in the Boston Classical Review, 21 November 2022.

Concert review of John Corigliano’s The Lord of Cries. Published in the Boston Classical Review, 20 November 2022.

Concert review of the Handel & Haydn Society performing Mozart’s The Marriage of Figaro. Published in the Boston Classical Review, 18 November 2022.

Concert review of the Berlin Philharmonic Orchestra performing Norman, Mozart, and Korngold. Published in the Boston Classical Review, 14 November 2022.

Concert review of the Boston Philharmonic Orchestra playing Dvorak and Brahms. Published in the Boston Classical Review, 13 November 2022.

Concert review of Anne Sofie von Otter and Kristian Bezuidenhout performing Schubert, Lindblad, and Mozart. Published in the Boston Classical Review, 6 November 2022.

Concert review of New England Philharmonic playing Corigliano, Rodríguez, Watkins, and Nathan. Published in the Boston Classical Review, 31 October 2022.

Concert review of the Los Angeles Philharmonic playing Ortiz and Mahler. Published in the Boston Classical Review, 24 October 2022.

Concert review of Musica Sacra performing Thorvaldsdóttir, Pärt, Gjielo, and Vasks. Published in the Boston Classical Review, 23 October 2022.

Concert review of Collage New Music playing Thomas, Harbison, Blackburn, and Froom. Published in the Boston Classical Review, 17 October 2022.

Concert review of the Handel & Haydn Society playing Bach and Buxtehude. Published in the Boston Classical Review, 8 October 2022.

Feature: “How do you solve a problem like Puccini?” Published in the Boston Classical Review, 4 October 2022.

Concert review of the Boston Symphony Orchestra playing Adolphe, Shostakovich, and Haydn. Published in the Boston Classical Review, 30 September 2022.

Concert review of the Olmsted Quartet playing Bologne, Müller-Hermann, and Schubert. Published in the Boston Classical Review, 26 September 2022.

Concert review of La bohème. Published in the Boston Classical Review, 24 September 2022.

Concert review of Longwood Symphony and World Doctors Orchestra playing Bach, Mahler, Barber, and Stravinsky. Published in the Boston Classical Review, 19 September 2022.

Concert review of White Snake Project’s Cosmic Cowboy. Published in the Boston Classical Review, 17 September 2022.

Concert review of Beth Wiemann’s I Give You My Home. Published in the Boston Classical Review, 5 June 2022.

Concert review of Dashon Burton singing Bach, Brahms, Fauré, and Bonds. Published in the Boston Classical Review, 26 May 2022.

Concert review of Radius Ensemble playing Rota, Coleman, Takemitsu, and Ives. Published in the Boston Classical Review, 22 May 2022.

Concert review of the Boston Philharmonic Youth Orchestra playing Shostakovich, Prokofiev, and Tchaikovsky. Published in the Boston Classical Review, 7 May 2022.

Concert review of Takács Quartet and Julien Labro in concert. Published in the Boston Classical Review, 1 May 2022.

Concert review of the Boston Symphony Orchestra playing Strauss and Saint-Saëns. Published in the Boston Classical Review, 29 April 2022.

Concert review of the Boston Philharmonic Orchestra playing Mahler. Published in the Boston Classical Review, 9 April 2022.

Concert review of the Boston Symphony Orchestra playing Tchaikovsky, Reid, and Sibelius. Published in the Boston Classical Review, 8 April 2022.

Concert review of The Boston Cecilia playing Rudoi. Published in the Boston Classical Review, 4 April 2022.

Concert review of the Boston Symphony Orchestra playing Britten. Published in the Boston Classical Review, 1 April 2022.

Concert review of Emmanuel Music playing Bach. Published in the Boston Classical Review, 27 March 2022.

Concert review of the Boston Symphony Orchestra playing Berg. Published in the Boston Classical Review, 11 March 2022.

Concert review of Leonidas Kavakos, Yo-Yo Ma, and Emanuel Ax playing Beethoven. Published in the Boston Classical Review, 10 March 2022.

Concert review of Imani Winds and Catalyst Quartet playing Santamaría, Price, Montgomery, and Sierra. Published in the Boston Classical Review, 6 March 2022.

Concert review of the Boston Symphony Orchestra playing Ives, Chin, and Berlioz. Published in the Boston Classical Review, 4 March 2022.

Concert review of the Boston Philharmonic Youth Orchestra playing Ravel, Elgar, and Shostakovich. Published in the Boston Classical Review, 28 February 2022.

Concert review of the Boston Symphony Orchestra playing Pärt, Shostakovich, Saariaho, and Stravinsky. Published in the Boston Classical Review, 25 February 2022.

Concert review of the Boston Modern Orchestra Project playing Elgar, Paulus, Messiaen, and Jongen. Published in the Boston Classical Review, 19 February 2022.

Concert review of the Boston Symphony Orchestra playing Borodin, Rachmaninoff, and Prokofiev. Published in the Boston Classical Review, 11 February 2022.

Concert review of the Boston Philharmonic Orchestra playing Mussorgsky, Shostakovich, and Beethoven. Published in the Boston Classical Review, 7 February 2022.

Concert review of the Boston Symphony Orchestra playing Janacek, Rachmaninoff, and Dvorak. Published in the Boston Classical Review, 4 February 2022.

Concert review of the Handel & Haydn Society playing Mozart and Haydn. Published in the Boston Classical Review, 31 January 2022.

Concert review of the Boston Symphony Orchestra playing Berg, Ravel, and Adès. Published in the Boston Classical Review, 28 January 2022.

Concert review of the Boston Symphony Chamber Players playing Bartók, Gandolfi, and Dvorak. Published in the Boston Classical Review, 24 January 2022.

Concert review of the Boston Symphony Orchestra playing Brahms, Nabors, and Tchaikovsky. Published in the Boston Classical Review, 21 January 2022.

Concert review of the Boston Symphony Orchestra playing Gruber, Mozart, and Prokofiev. Published in the Boston Classical Review, 7 January 2022.

Concert review of the Cantata Singers’ Of All the Kings. Published in the Boston Classical Review, 13 December 2021.

Concert review of Boston Cecilia’s Renaissance Reborn. Published in the Boston Classical Review, 11 December 2021.

Concert review of the Boston Symphony Orchestra playing Brahms. Published in the Boston Classical Review, 24 November 2021.

Concert review of the Boston Philharmonic Youth Orchestra playing Barber, Mozart, and Mahler. Published in the Boston Classical Review, 20 November 2021.

Concert review of the Boston Symphony Orchestra playing Widmann and Mahler. Published in the Boston Classical Review, 19 November 2021.

Concert review of Nicholas Phan and Brooklyn Rider in concert. Published in the Boston Classical Review, 13 November 2021.

Concert review of the Boston Philharmonic Orchestra playing Mendelssohn, Prokofiev, and Brahms. Published in the Boston Classical Review, 11 November 2021.

Concert review of the Boston Symphony Chamber Players performing Higdon, Epstein, Ran, and Farrenc. Published in the Boston Classical Review, 8 November 2021.

Concert review of the Handel & Haydn Society playing Farrenc and Beethoven. Published in the Boston Classical Review, 6 November 2021.

Concert review of the Boston Symphony Orchestra playing Tchaikovsky and Dvorak. Published in the Boston Classical Review, 5 November 2021.

Concert review of the Boston Symphony Orchestra playing Samuel Coleridge-Taylor, Victor Wooten, and Duke Ellington. Published in the Boston Classical Review, 29 October 2021.

Concert review of the Boston Symphony Orchestra playing Gubaidulina and Rachmaninoff. Published in the Boston Classical Review, 22 October 2021.

Concert review of the Boston Symphony Orchestra playing William Grant Still, Strauss, and Sibelius. Published in the Boston Classical Review, 15 October 2021.

Concert review of Brooklyn Rider playing Azmeh, Roberts, Grau, Golijov, and Gilberto. Published in the Boston Classical Review, 8 October 2021.

Concert review of Anne-Sophie Mutter and the Boston Symphony Orchestra playing Beethoven, Williams, and Bartók. Published in the Boston Classical Review, 1 October 2021.

Concert review of the Boston Symphony Orchestra playing Grime, Walton, and Duruflé. Published in the Boston Classical Review, 28 February 2020.

Concert review of the New England Philharmonic’s Together & Apart. Published in the Boston Classical Review, 24 February 2020.

Concert review of Ying Fang in recital. Published in the Boston Classical Review, 13 February 2020.

Concert review of the Boston Symphony Orchestra playing Bartók, Mozart, and Ravel. Published in the Boston Classical Review, 31 January 2020.

Concert review of Patricia Kopatchinskaja and Jay Campbell in recital. Published in the Boston Classical Review, 24 January 2020.

Concert review of the Boston Symphony Orchestra playing Lee, Mozart, and Tchaikovsky. Published in the Boston Classical Review, 17 January 2020.

Concert review of the Boston Symphony Orchestra playing Beethoven and Tchaikovsky. Published in the Boston Classical Review, 3 January 2020.

Concert review of Back Bay Chorale’s A Boston Christmas. Published in the Boston Classical Review, 21 December 2019.

Concert review of Sheku and Isata Kanneh-Mason in recital. Published in the Boston Classical Review, 14 December 2019.

Concert review of the Los Angeles Philharmonic playing Ginastera, Adams, and Stravinsky. Published in the Boston Classical Review, 24 November 2019.

Concert review of the Boston Symphony playing Maskats, Tchaikovsky, Grigorjeva, and Shostakovich. Published in the Boston Classical Review, 22 November 2019.

Concert review of Mistral Music’s Hope & Harmony. Published in the Boston Classical Review, 18 November 2019.

Concert review of the Gewandhausorchester Leipzig playing Mahler, Schumann, Wagner, and Mendelssohn. Published in the Boston Classical Review, 30 October 2019.

Concert review of the New England Philharmonic’s Left Dreaming. Published in the Boston Classical Review, 27 October 2019.

Concert review of Susanna Mälkki conducting Fauré, Ammann, Messiaen, and Debussy. Published in the Boston Classical Review, 25 October 2019.

Concert review of Boston Musica Viva’s Small Steps & Giant Leaps. Published in the Boston Classical Review, 6 October 2019.

Concert review of the Boston Symphony playing Beethoven and Strauss. Published in the Boston Classical Review, 27 September 2019.

Concert review of Boston Early Music Festival’s Orlando generoso. Published in the Boston Classical Review, 10 June 2019.

Concert review of Seraphim Singers at Eliot Church. Published in the Boston Classical Review, 12 May 2019.

Concert review of Itzhak Perlman and Evgeny Kissin in recital. Published in the Boston Classical Review, 23 April 2019.

Concert review of the Boston Symphony playing Bacewicz, Mozart, and Mendelssohn. Published in the Boston Classical Review, 19 April 2019.

Concert review of Cantus’s Alone Together. Published in the Boston Classical Review, 4 April 2019.

Concert review of Boston Cecilia’s American Longing. Published in the Boston Classical Review, 25 March 2019.

Concert review of the Boston Symphony playing Adolphus Hailstork, Roberto Sierra, Florence Price, and Duke Ellington. Published in the Boston Classical Review, 24 March 2019.

Concert review of Longy’s Sistema Side-by-Side Gala. Published in the Boston Classical Review, 19 March 2019.

Concert review of the New Philharmonia Orchestra playing Brahms. Published in the Boston Classical Review, 10 March 2019.

Concert review of the Boston Symphony Chamber Players performing music by Barber, Langer, Rossini, and Gandolfi. Published in the Boston Classical Review, 4 March 2019.

Concert review of Beatrice Rana playing Chopin, Ravel, and Stravinsky. Published in the Boston Classical Review, 28 February 2019.

Concert review of Collage New Music. Published in the Boston Classical Review, 11 February 2019.

Concert review of the Boston Symphony playing Haydn and Brahms. Published in the Boston Classical Review, 18 January 2019.

Concert review of the Boston Symphony playing Mendelssohn and Dvorak. Published in the Boston Classical Review, 4 January 2019.

Concert review of Boston Cecilia’s Radiant Dawn. Published in the Boston Classical Review, 1 December 2018.

Concert review of the Boston Symphony playing Gruber and Mahler. Published in the Boston Classical Review, 16 November 2018.

Concert review of Chorus pro Musica’s Audubon. Published in the Boston Classical Review, 10 November 2018.

Concert review of the Boston Civic Symphony playing Higdon, Walton, and Debussy. Published in the Boston Classical Review, 5 November 2018.

Concert review of the Boston Philharmonic playing Glinka, Dvorak, and Brahms. Published in the Boston Classical Review, 19 October 2018.

Concert review of Boston Lyric Opera’s The Barber of Seville. Published in the Boston Classical Review, 13 October 2018.

Concert review of Hannu Lintu conducting the Boston Symphony Orchestra. Published in the Boston Classical Review, 12 October 2018.

Concert review of Pro Arte Chamber Orchestra’s “Tragedy and Triumph.” Published in the Boston Classical Review, 30 September 2018.

Concert review of Emmanuel Music’s “All Hail, St. Cecilia.” Published in the Boston Classical Review, 23 September 2018.

Concert review of Mercury Orchestra at the Hatch Shell. Published in the Boston Classical Review, 30 August 2018.

Concert review of Michael Gandolfi’s In America at Tanglewood. Published in the Boston Classical Review, 24 July 2018.

Concert review of Herbert Blomstedt conducting Mozart, Bernstein, and Haydn at Tanglewood. Published in the Boston Classical Review, 22 July 2018.

Concert review of the Cambridge Symphony’s “A Midsummer Night’s Dance.” Published in the Boston Classical Review, 17 June 2018.

Concert review of Julia Bullock at Pickman Hall. Published in the Boston Classical Review, 3 May 2018.

Concert review of the Boston Symphony playing Brahms and Prokofiev. Published in the Boston Classical Review, 27 April 2018.

Concert review of the Takács Quartet playing Mozart, Shostakovich, and Beethoven. Published in the Boston Classical Review, 24 March 2018.

Concert review of the Boston Symphony playing Bernstein and Shostakovich. Published in the Boston Classical Review, 23 March 2018.

Concert review of Daniil Trifonov and Sergei Babayan in recital at Jordan Hall. Published in the Boston Classical Review, 4 March 2018.

Concert review of Herbert Blomstedt conducting Mozart. Published in the Boston Classical Review, 23 February 2018.

Concert review of Leonidas Kavakos, Yo-Yo Ma, and Emanuel Ax playing Brahms. Published in the Boston Classical Review, 22 February 2018.

Concert review of the Doric String Quartet at Pickman Hall. Published in the Boston Classical Review, 16 February 2018.

Concert review of Thomas Ades conducting Beethoven, Ligeti, Ades, and Stravinsky. Published in the Boston Classical Review, 26 January 2018.

Concert review of Pro Arte Chamber Orchestra playing Gounod, Ewazen, and Beethoven. Published in the Boston Classical Review, 22 January 2018.

Concert review of Emmanuel Music’s Christmas Oratorio. Published in the Boston Classical Review, 17 December 2017.